William Scott Wilson

Based on William Scott Wilson's definitive translation, adapted by scriptwriter and comic book/manga author Sean Wilson, and with lively drawings by well-known illustrator Chie Kutsuwada, this first-ever graphic treatment of what's considered the most influential of all samurai treatises is sure to delight manga fans, martial arts enthusiasts, and students of Japanese culture.

Renowned translator William Scott Wilson offers a fresh version of the Tao Te Ching that will resonate with the modern reader. While most translators have relied on the "new" text of 200 B.C., Wilson went back another 300 years to work from the original characters used during Lao Tzu's lifetime. By referring to these earlier characters, Wilson is able to offer a text that is more authentic in language and nuance, yet preserves all the beauty and poetry of the work.

We know almost nothing of Hung Ying-ming, except that he lived around the end of the Ming dynasty (1368-1644) and that he was extraordinarily well-read and cultured. The Unencumbered Spirit is his classic work, a tour de force offering wise words distilled through the fundamental teachings of Taoism, Confucianism and Zen Buddhism. Hung's poetic prose embodies the infinite transformations of the world's opposites, what the Chinese called yin and yang--good and evil, honesty and deception, wisdom and foolishness, heaven and hell.

Translated and introduced by accomplished Japanese language and literature scholar William Scott Wilson, this anthology compiles the writings of 12 samurai warriors and paints a cultural picture of feudal Japan between the 13th and 17th centuries. Each warrior's text is preceded by a brief summary of his life and career. What emerges from this collection is a picture of the samurai class that not only acknowledges a man's behavior on the battlefield but also surprises with its depth and humanity.

Setting down his thoughts on swordplay, on winning, and on spirituality, legendary swordsman Miyamoto Musashi intended this modest work as a guide for his immediate disciples and future generations of samurai. He had little idea he was penning a masterpiece that would be eagerly devoured by people in all walks of life centuries after his death.

In the tempestuous closing decades of the sixteenth century, the Empire of Japan writhes in chaos as the shogunate crumbles and rival warlords battle for supremacy. Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.

Woven deeply into the martial traditions and folklore of Japan, the fearsome Tengu dwell in the country's mountain forest. Mythical half-man, half-bird creatures with long noses, Tengu have always inspired dread and awe, inhabiting a liminal world between the human and the demonic, and guarding the most hidden secrets of swordsmanship. In The Demon's Sermon on the Martial Arts, a translation of the 18th-century samurai classic by Issai Chozanshi, an anonymous swordsman journeys to the heart of Mt. Kurama, the traditional domain of these formidable beings.

"In the Fūshikaden are reflected the primordial religious sentiments of the Japanese, the poetic standards of the aristocracy, Zen Buddhist philosophy, and the warrior class ideals from one of the most creative periods in Japanese history."

—from the Introduction

This is a translation of an important classic on Zen swordfighting. Yagyu Munenori was so widely renowned that he was appointed official sword instructor to two Tokugawa shoguns. (The position was always coveted by Miyamoto Musashi, but he never succeeded in gaining the post). Yagyu's style is known as the Shinkage-ryu style, for centuries the official style of the Tokugawa dynasty. His spiritual mentor was Zen priest Takuan.

In a life-and-death situation of being sword-tip to sword-tip with the enemy, where should the swordsman put his mind?